Reverberant | Sound Art | Iain Mott

MOTT, IAIN. O Espelho: uma instalação sonora e cênica. In: 9^o Encontro Internacional de Arte e Tecnologia. Brasíla, 2010a.

MOTT, IAIN. Self-listening. Revista do Programa de Pós-Graduação em Arte da UnB, v. 9, n. 2, p. 173-195, 2010b.

MOTT, IAIN. Close: Mute video installation in null extension. Revista do Programa de Pós-Graduação em Arte da UnB, Som, Palavra e Performance., v. 8, n. 2, p. 47-57, 2009.

MOTT, IAIN. Sound Installation & Self-listening. PhD thesis, University of Wollongong, 2009.

MOTT, IAIN. Zhong Shuo (People say)... . In: Ros. Bandt; Michelle. Duffy; Dolly. MacKinnon (Eds.); Hearing Places: Sound, Place, Time and Culture. p.389-401. Newcastle: Cambridge Scholars Publishing, 2007.

MOTT, IAIN. In Beijing and Chongqing people say... Realtime, n.71. Retrieved from http://www.realtimearts.net/article.php?id=8035, 2006.

MOTT, IAIN. Chinese Whispers. In: Qi and Complexity: Consciousness Reframed. p.270-276. Beijing, 2004.

MOTT, IAIN. The Talking Chair: Notes on a Sound Sculpture. Leonardo (Journal of the International Society for the Arts, Sciences and Technology), v. 28, n. 1, p. 69-70, 1995.

MOTT, IAIN.; RASZEWSKI, MARC.; SOSNIN, JIM. Sound Mapping. In: H. Leopoldseder C. Schöpf (Eds.); Cyberarts 98. p.94-95. Vienna and New York: Springer-Verlag, 1998.

MOTT, IAIN.; SOSNIN, JIM. Sound Mapping: An Assertion of Place. In: Interface: Australasian Computer Music Conference. p.9-13. Auckland, 1997.

MOTT, IAIN.; SOSNIN, JIM. A New Method for Interactive Sound Spatialisation. In: International Computer Music Conference. p.69-72. Hong Kong: International Computer Music Association, 1996.